Monday, July 15, 2013

Another gift under the Christmas-in-July tree

Blog Blitz with Author RobRoy McCandless



Christmas in July, unwrap a summer ebook blog blitz,
welcomes RobRoy McCandless



Pain.

Pain that deserves a capital letter when it’s in the middle of
a sentence like it’s the proper name of metaphorical being.

Like Death.

Like Lust.

This was Pain who had not come for a pleasant visit of
chatting over beers and boneless chicken wings dipped into discolored ranch
sauce.  He had shown up to do his job,
clocked in on time, sat down at his desk, and went to work on my gut.

I’ve been in pain before.
I’ve had two knee surgeries, an appendectomy and a bowel resection.  Each experience was more painful than the
previous, each requiring an increasing amount of time and medication to
recover.

Looking back, it’s as if Pain had set out a series of
milestones, goals in preparation for today.

“I need you to drive me to the hospital,” I gasped out into
my cell phone as my wife listened.

“It’s that bad?”

I was in too much pain to respond.  The abdominal cramping had started the night
before, and none of the usual suspects had done any good in relieving it.  I’d managed to get to work, but the cramping
had increased, and I’d asked my boss if I could go home.  Two hours later I had tried to take some Milk
of Magnesia, my last line of defense in these circumstances.

Instead of relieving me, the cramping had suddenly shot up,
and I’d found myself bent over the toilet, vomiting.

I hadn’t stopped vomiting.

I vomited the Milk of Magnesia.  Then I vomited the water I had drunk.  Finally, I had started dry heaving, a bit of
bile flecked with blood.

That’s when I knew it was serious.

“I can’t leave right now,” my wife responded.  “Can you wait 30 minutes.”

My head, filled with a light sheen of red Pain, started
doing the math.  Thirty minutes of
waiting, doubled over, and gasping for air.
Five minutes of struggling to get out of the house and into the
car.  Fifteen minutes to reach the
hospital if there was only light traffic, or thirty minutes if the traffic was
heavy and we had to slog through or find a surface street.  Five minutes to find a parking place.  Five minutes to walk into the hospital.

That meant, at best, one more hour with Pain.

“I’ll drive myself,” I replied.

I don’t remember what was said after that.  Pain has gripped my intestinal tract and
refused to let go.  Even now, my stomach
is giving me little echoes of Pain, like the afterimage of an incredibly bright
light burned into the cornea of my eye.
It gives me pause, makes me conduct a full body check to see if this
time it will be like last time, and I need to start reaching for the car keys.

The moment passes, unlike the Pain of that day.

I didn’t hang up on my wife.
She said something about trying to get to me as soon as possible, and I
grunted out responses while I struggled to move around the house.

I put on loose fitting clothing: sweat pants and a
t-shirt.  Then I thought better of the
t-shirt and threw a Disney-themed hockey jersey over it.  Hospitals are always cold, and I’m always
cold, which means I freeze.  I couldn’t
bend over to put on socks or shoes, so I suffered with the knowledge that my
feet would be ice as I slipped on my flip-flops.

I found my keys.  I
found my wallet.  I made sure I had my
insurance card.

I doubled over with Pain, my left arm wrapped around my
middle as if I had been cut open and only my fingers could keep my loose,
slippery, bloody intestines inside me.
My right hand gripped with painful fingers the back of a kitchen chair,
as if I could offset one Pain for the other by squeezing hard enough.

I could not.

You should not drive drunk.
You should not drive tired.  You
should not answer a cell phone or text while driving
.

You should not drive with Pain.

He won’t take the wheel from you, steer you gently to the side
of the road and apply the brake.  He
doesn’t pat you on the back, or place a warm washcloth against your
forehead.  In the car, he sits with you,
closer and more intimate than any lover, and he does his work.  No position, no shifting, no mindset can free
you from his grasp.  He holds you and
holds you and holds you.  You can’t push
Pain aside, once he’s paid you a visit.
He just continues, doggedly, like a cubicle-lackey pounding away at his
keyboard, watching the workday clock that never moves past 9:13.

I drive in the far right lane, the “slow lane” because I
don’t trust myself.  I know I’m a
distracted driver.  I know I present a
potential danger to myself and everyone around me.  I also know Pain.  As Jim Morrison sung, I keep my eyes on the
road.  I keep my hand upon the
wheel.  I focus on breathing.  I scream in sudden, twisted bouts of
abdominal cramping.  In my head, fists
twist my intestines, my guts, and tie them into the Gordian Knot.

Pain is intractable and untenable.

I make my exit and am at once relieved and struggling.  I’m in a bad way, and I know it.  I can barely sit up, and I still have lights
and other cars to navigate through.

I offer a prayer that there will be a close parking stall.

Pain must have intercepted that particular request.  He rejects it out of hand.

The furthest stall from the entrance is the only one
open.  I’ve already spent several minutes
in fruitless search.  My body is covered
in a light sheen of Pain-induced sweat.
I assume my skin is ashen, my eyes red-rimmed and haunted.  I assume this, but I have no time to look at
my reflection.

I start the long, Pain-filled shuffle from my car to the ER
entrance.

A security guard on a bicycle sees me, and I think he’s
going to ask if I’m ok, if I need help  I
can’t even wish for him to do something; anything.  I’m clutching at my middle, trying to keep my
innards from exploding.  I’m trying to
press Pain back inside my stomach.
Trying to keep from screaming as the next bout of twisting,
iron-strapped Pain bounds around me and holds on tight.

The guard turns on his bike and cycles away.  I struggle through some shrubs where a path
wasn’t intended, but has been created by the passage of thousands of feet each
day.  People like me who were seeking the
straightest, most direct line.

The doors to the ER are automatic.  They swing open as if pulled by over-eager
children, desperate to please.  They are
noisy and I stagger through.

My hand reaches into my pocket and I pull out my wallet,
then I grab onto the counter for support.
I try to pull my insurance card out, but the nurse stops me.

“Can you walk inside?” she asks me.  She knows Pain.  “Don’t bother with that, just come in.”

Even before I start nodding my head in response, a buzzer
sounds and move toward it like a metaphor to a life-preserver.

“Can you sit down?” the nurse asks.

“Yes,” I croak.

The nurse is incredibly efficient.  She is incredibly kind.  She is incredibly sympathetic and empathetic.  She asks questions, pounds her keyboard with the
speed and diligence of a professional.
She was not trained to be a typist or a computer user.  She was trained to help people.  But to do that, she has also trained to do
this, and she does it.

“We don’t have wheelchairs,” she tells me.  I have no idea where the conversation has
gone, or if there has even been one.  Any
responses I gave her were automatic.
Pain has me fully in his grip and he’s not letting go this time.  He’s not giving up.  This isn’t some trick of mental prowess.  Pain has me completely in his grasp, and this
is no longer cramping; this is a single cramp.

“I . . . can . . . walk,” I tell her, but she grabs one of
my arms, removing it from my middle where I had been holding myself together,
and I nearly collapse against her.  I
can’t even tell you her hair color or her build.  I can’t tell you if she was tall or short or
fat or thin.  I only had eyes filled by
Pain.

She calls to other ER personnel and I’m surrounded.  They ask me questions and I know all the
answers.  They ask if I can take off my
shirt.  They hand me a gown and ask me to
put it on.  They ask me to take off my
flip-flops.  They ask me to lay down.

I relate my medical history, the interesting colorful bits
that I know relate directly to Pain.  My
wife appears and an IV goes into my arm.

“I’m giving you something for the nausea,” a male voice
says.

I don’t care.

I’m crying.

My wife has my hand, and I’m struggling to stay still, but
Pain has filled me completely.  I don’t
even feel the nausea medication.  It
might as well be saline or spit for all the good it does.  I try to breathe and to contain myself, but
my entire world is now Pain, Pain, Pain.

This, then, is zealotry.
This is fanaticism.  This is
obsession.

This is the complete and utter focus on one and only one
element of life to the complete exclusion of everything else.

Pain.

He doesn’t grin at me in victory.  That’s not his way.  He’s “just doing his job” and there is no
glee in it as he sits on my stomach, slowly twisting the crank that has bound
me up, and won’t stop.

“It won’t let go,” I scream out, and I pound my feet against
the ER bed.  “It won’t let go.”

Tears stream down my pinched face, and I slam my clenched
fist against too-thin padding.  My wife
has my other hand, and she tells me I’m hurting her.  I let go.
She strokes my head.  I tell her
over and over and over that I’m sorry for this.
She responds over and over and over that it’s not my fault.

I keep crying and pounding and apologizing.

My attending nurse asks my wife to move, because she’s on
the side with the IV.  I won’t note any
of this until later, because in a moment, after some words that I can’t hear,
the first of many, many, many injections of pain medication are administered.

There is no flood of sudden comfort.  No quick release from Pain’s grasp.

I simply pass out.

Over the next two weeks of my four-week stay in the
hospital, Pain will be a constant companion. 
Then, this major project complete, his work done, the clock now reading
4:55, he will start to gather his things.
He doesn’t ever leave.  No, not my
Pain.  He stays with me, and like a big
brother he will reach out and squeeze every now and then to remind me that we
travel this road of life together.

Siddhartha Buddha said, “Life is pain.”

I don’t hate Pain, or loathe him for a job well done.  I do fear him.  The memory of Pain is like Jason from the Friday the 13th series: a constant,
elemental presence who causes fear with even the hint of appearance.

But I live.

I live with Pain. 


Author Bio:

RobRoy McCandless has been a writer both professionally and
personally for nearly two decades. He was born under a wandering star that led
him to a degree in Communication and English with a focus on creative writing.
He is the author of the many unpublished words (anthropomorphic is a good one)
and continues to research and write historical and genre fiction.

Find RobRoy here:



Please visit these other sites and leave a
comment to win a $10 GFC to Wild Child Publishing.




Sunday, July 14, 2013

Blog Blitz with Author Matt Campbell













Christmas in July, unwrap a summer ebook blog blitz, welcomes Matt Campbell 
:
Darr has the ability to hear the disembodied voices of the spirits. Unfortunately, the spirits have nothing useful to say. A young, inexperienced Spirit Summoner, Darr often wonders at the purpose of such a useless ability. When an unnatural fire sweeps through his village, Darr sets out on a mission of self-discovery and curiosity.



As a Spirit Summoner, Darr learns he can enter the spirit realm. There he has access to the elemental magic contained within the Sephirs, legendary artifacts that once promised balance for a world turning towards chaos. Now, the Sephirs’ powers are dwindling since their untimely disappearance, and Darr is at the center of the quest to find and recover them. Suddenly, Darr’s curiosity is a whirlpool threatening to drown him, but his compulsion to see things through locks him into a journey attracted to disaster.



For the Sephirs do more than restrain the primal forces of magic. The Devoid, an evil long caged and hungry, has begun to loosen the bars of its prison. If the Sephirs fail, the Devoid will escape and feed on the Light of the living until nothing remains.



And the Devoid knows Darr’s lack of confidence is the key needed to free itself completely.





THE CHOSEN OF THE LIGHT: SPIRIT SUMMONER is an epic fantasy novel, coming in 2013 from Wild Child Publishing.





Some thoughts from Matt:

Do I Really Need A Reason To Write Fantasy?



For some people fantasy is a waste of time, a distraction from the present and concrete facts about the world around us. For others, fantasy is the blood that flows through our veins, infiltrating every little aspect of our lives. Some remain indifferent to fantasy yet indulge in similar diversions. So why do I write fantasy when I’m only appealing to a small target audience? Stephen King has part of the answer in his book On Writing:



“Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well.”



Ok, so I write fantasy (or anything for that matter) in order to enrich the lives of my readers and myself. Sounds simple enough, but like I said, King has provided only part of the answer.



Fantasy writing provides an outlet for imagination
It’s no secret that writing is therapeutic. Journaling can be a great source of stress relief for many of life’s troubles. Writing helps to organize our thoughts and get them out into the world, even if it’s onto a piece of notebook paper or typed into a blog post. Fiction writing in general (and reading as well) provides a similar release. For me, writing fantasy is a necessity. I’ve always had an overactive imagination filling my head with a multitude of worlds, characters, and ideas based in another reality. Writing has been the only way to focus my imagination, and the fantasy genre seemed to be the only place I could put those ideas to use.
The real world sometimes has no solutions
There’s no doubt the world we live in seems crazy sometimes. As individuals, human beings are filled with conflicting thoughts, beliefs, and ideas. As a society, groups of individuals also have conflicting thoughts and ideas. What seems like a perfectly logical or necessary course of action to one person might be completely abhorrent to another. Oftentimes, it’s frustrating or even offensive to another to argue your point. I believe most of us simply try to live our lives as quietly as possible, rolling with the punches as best we can and making small differences where possible.
Not everyone has the power or the voice to make those small differences though, but I’ve found that writing fantasy provides a way to do so. If our fantasies are a distorted reflection of our reality, then the problems of reality come along equally distorted. In my experience, writing about fantasy worlds allows me to explore solutions to the very real problems around me, which in turn, allows my readers a chance to explore my point-of-view.
Possibilities and dreams
Along the same thread, fantasy writing allows my readers to explore the possibilities of the real world. Of course, anything is possible, but maybe not probable. That’s where dreams come in. Dreams are like automatic imagination, and imagination is fuel for fantasy writing. When I’m writing about one of my worlds, where healing can be done with a single touch or skills are transferrable through inanimate objects, I’m not only exploring possibilities in our own world. These are my dreams of a world not brought into reality…yet.
Which brings me to my final reason for writing fantasy…
It is real
Specifically, it’s real to me. I write fantasy because the stories I weave are as real to me as the trees around me, the roof over my head, and the family supporting me. I learned early on in my life that the reality of my stories were transferable to others. By writing down my ideas and sharing my words, my readers can find that same reality. Is that insanity? No. But it might be a little crazy, though no crazier than anything else.


In the end, King had it mostly right. We write to enrich the lives of our readers as well as ourselves. For me, writing fantasy is a little more than that. It’s about sharing my imagination, realizing the possibilities or our small world, and dreaming of the extraordinary. I can only hope my readers feel the same.




Author Bio:





Over the last twenty years, Matt Campbell has been putting his love for fantasy down on paper. He began writing at the age of 11, but he has been telling stories long before then. With interests in writing, woodworking, parenting, comic books, movies, and video games, Matt always has something new to write about and to inspire him.




Matt’s passion for wonder and love for the fantastic inspired him to write his debut novel, The Chosen of the Light. At a staggering 400,000 words, Matt was forced to split his novel up into three books, the first of which, Spirit Summoner, is due later in 2013.


He lives in Western Washington with his wife, Jen, and son, Jacobi.


Find More of Matt here:




Christmas in July, unwrap a summer ebook blog blitz, welcomes Carmen Stefanescu 

Anne's relationship with her boyfriend Neil has disintegrated. After a two-year
separation, they pack for a week vacation in hopes of reconciling. But fate has
other plans for them.



The discovery of a bejeweled cross and ancient human bones opens a door to a
new and frightening world--one where the ghost of a medieval nun named
Genevieve will not let Anne rest. This new world threatens not only to ruin
Anne and Neil's vacation but to end all hopes of reconciliation as Anne feels
compelled to help free Genevieve's soul from its torment.



Can Anne save her relationship and help Genevieve find her eternal rest?

The twists and turns in this paranormal tale keep the reader guessing up to
the end and weave themselves together into a quest to rekindle love.


          
Fantasy Fiction the Trendy Genre?

            A study at
the end of the year 2012 indicates a decline in reading books: 28% of the
people reply they don't like to read and 26% say they have no time to do it. Of
the few who say they are fond of reading, the vast majority, say that they
enjoy reading - fantasy fiction.
            From Game of Thrones by G.R.R. Martin to Harry Potter by J. K. Rowling the bug
of fantasy fiction has become viral. The name of J.R. R. Tolkien is more known
than those of stars in show business. Hunger
Games
and Suzanne Collins rocketed to the sky especially after the first
volume of the series was screened. There are people who say, "If you want
to get rich write fantasy fiction."
            There may
be some truth in it if we consider J. K. Rowling is richer than the Queen of
England.
            We speak of
a phenomenon that can't be denied and is obviously reflected in the book sales:
our society favors fantasy fiction.
            Why is
that? In my humble opinion, fantasy fiction offers its readers something that
targets a part of themselves - the child within each of them. A child who
dreams that one day he'll walk through the enchanted forest, sit at the table
with the fairies and perhaps find the never ending youth.
            Escape from
reality or "Scheherazade syndrome", call it as you like, the
explanation for the success of the genre can be easily explained. This type of
literature allows us to be free. It creates a world without boundaries or
limitations, a world where nobody can force you to do something you don't want or
like; a world in which there's no "impossible" and the good character
usually wins through, if only in the long run.    Imaginary
worlds, magic, supernatural phenomena are fundamental elements for fantasy
fiction, and make believe is the basic defining word for this most beloved
genre of literature. In fantasy, we may go to a simpler time
and world - the world as we wish it might be.
            And yet,
the advent of fantasy fiction started not with the above mentioned famous
books, but way back, with The Epic of Gilgamesh,
The Beowulf, Mahabharata and The One
Thousand and One Nights,
as myth and legend have been an important part of human
culture since its beginning.
Literature began with these stories
which can be read at ease by a 10 -year-old as well as by an adult.
            My novel Shadows of the Past, released by Wild Child Publishing on 4th December
2012, displays elements that can include it in the fantasy genre: ghosts, magic
and witches. Psychic powers is added as a bonus, allowing the characters to
foresee upcoming events or guess if the person in front of them is a
"good" or "bad" one.

Please check out Cartmen's Latest book, Shadows of the past, and enjoy this excerpt.

"Come, we should leave at once," she said and glanced nervously
over her shoulder. "Something terrible happened after you left for town. I
think the Abbess found out about us. Our meeting in Uncle Ryan's cabin is no
longer a secret. We have been overheard. For all I know someone spies on us
even as we speak. I think the Abbess, or one of her 'friends,' is hovering
somewhere nearby and listening to every word."
Andrew pulled Genevieve to his chest. "Do you regret you've come
with me?"
Passion smothered Genevieve's doubt and guilt. "Never," she
answered, aware of her body's response to his touch, and she succumbed to his
embrace.
Calming the gnawing unease in her mind and the
thought of Sister Dominica guessing she was the dough of a sinner, Genevieve
repeated, "Never."
With her eyes closed and their
bodies touching she became, for the very first time, simply a woman. She melted
in his embrace in spite of the invisible vicious threat breathing around them.
Aware they might never be alone again, she fought hard to silence the voice of
conscience berating her.
"Oh, God. Please forgive
me," Andrew muttered under his breath when he bowed his head to kiss her.
Their lips met in a passionate first kiss.
Genevieve's spirits fell and her
heart skipped a beat when, a couple of seconds later, she opened her eyes and
her gaze fell on a knot strangers.
                           … . .
.

 Tears welled in Anne's eyes,
blurring her vision. She couldn’t explain them, or the sudden sadness seeping
into her heart. This should’ve been a moment of happiness or, at least,
contentment. She was with Neil again, and the outcome of their trip together
should, very likely, bring their reconciliation. Why then did she seem detached
from where she stood?
Anne shivered. Why the deep feeling of having seen this place, this
forest before? And why the eerie sensation of being present here only in the
body, while her mind was far away?
Away from the forest.
Away from Neil, the man who'd betrayed her trust and her love.
            An onrush of sensations unfamiliar
to her followed. Dizziness and a malevolent feeling of unreality suffocated
her.
Anne edged cautiously closer to the rim of the bare cliff. Her foot
tapped the edge. It seemed solid. She stared into the darkness of the abyss at
her feet. It echoed the shadows in her heart.  An unusual curiosity took hold of her. Should
she step ahead? What was down there? Other human bones? Another mystery? The
presence of evil, creeping up and enveloping her, became almost palpable. The
vines of fog folded around her, dragging her to the depth. Her throat turned
dry, and she gasped for air.
Megan's face contorted, the voice no longer
pleasant. A hoarse gurgle, spluttering distorted words, "Yes, come... I'm
waiting... I've been waiting for you for such a long time..." 

 Author bio:
               Carmen
Stefanescu was born in Romania, the native country of the infamous vampire
Count Dracula, but where, for about 50 years of communist dictatorship, just
speaking about God, faith, reincarnation or paranormal phenomena could have led
someone to great trouble - the psychiatric hospital if not to prison.

               Teacher of English and
German in her native country and mother of two daughters, Carmen Stefanescu
survived the grim years of oppression, by escaping in a parallel world, that of
the books. 
               She
has dreamed all her life to become a writer, but many of the things she wrote
during those years remained just drawer projects. The fall of the Ceausescu’s
regime in 1989 and the opening of the country to the world meant a new
beginning for her. She started publishing. Poems first, and then prose. Both in
English.


Author, Carmen Stefanescu's Site


Trailer: Shadows of the Past


Find her on:

Goodreads


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Amazon


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